CrossTalk

I can't figure out whether the actress in the scene with Cock Gobbler is a good actress or it's just so easy to be in a scene with Arturd where you dislike him. At least he admits she's better than him in the scene, which is CLEAR to anyone who watches this video. It really is becoming quite sad that Arturd doesn't have a clue how bad an actor he is. Though, I still hate the prick. Then we have more video of him having his hair cut by that Natasha Fatale step-mom of his. Does he not understand that when you have a role in a potential pilot (so he claims) and they've shot ANYTHING you can't go changing your hair? This makes one of two things clear to me 1) he doesn't get ANYTHING about the film business (though I think we know that without this bit of info) or 2) he's no longer involved with the potential pilot. Please, please, PLEASE be option #2 so we can goof on that some more. OK, have at mocking the deluded ramblings of Philly's most hated delusional douchebag, Arthur Kadyshes...

To be a a successful actor like Arthur Kade, you need to be able to go from just acting an amazingly ferocious scene out as it’s written on paper in a controlled way, and be able to make it messy, dirty, and sexy all at the same time and I felt like “The Journey” needed a scene willed with passion and anger. Arguments with girls are not just one person talking and then one person responding (That’s the problem I had with the Eric and Sloane scene is that because of editing it seemed to contrived and controlled and not natural enough), it’s 2 people trying to jump in on each other, interrupt the other, and get their own point across, whether right or wrong, and it’s about not finishing sentences and pretty much telling the other person, “To go fuck themselves”. I am Jewish (We speak with our hands and with our eyes), and my scene partner was Italian (They speak with every part of their body but get very intense with body movements) so when Mike Lemon saw our first rendition of the scene with Eric and Sloane arguing in class, he called it “Sterile” because we didn’t have the “Cross Talking” going where you are literally jumping in on the other person while they are talking.

Once he got us really cross-talking (This rattled me a bit because I forgot the lines a few times, but thank god I am a master of improv so I was able to keep it going and look natural even when I made mistakes), the scene became very natural as if we were sitting in a car just arguing, and one classmate told me, “You guys seemed like you were really arguing”. That is the sign of an experienced and masterful actor, where you don’t skip a beat even when you’re hurt and on the ropes, and at the end you can say, “Shit, I fucked up my lines”, and your teacher responds, “I don’t care” because the scene came out so perfectly. Cross-Talking takes a lot of electricity and vitriol, and can be difficult when you haven’t done it with someone before because you really don’t know where you’re going to be cut off. That’s why when there is great chemistry with a co-star in a movie, directors will use you together for other movies (Like Gere and Roberts), and I could see myself pairing with anther fiery actor like Marisa Tomei (Who is one of the sexiest 7’s on the planet because of her attitude, accent, ability to not age, and sick little body and great small boobs) because we both have that innate ethnic aggression. My scene partner was better than me in the scene and I had having not been in a heated argument in a while I had to adjust to her level, and I told her while reviewing the video, “You had that Italian thing going on. I have dated a bunch of Italian girls, and you guys are the best in bed because you are so passionate”, and she just laughed.

I have dated many crazy girls who are all temper (Although those same crazy girls are usually the most passionate and exciting in bed, but I have always been lured to the “Bad Girl” who likes threesomes who is money hungry in the past, because there is something so sexy about that concept), and because I am usually smarter than anyone I date because of my 134 IQ and tremendous education, and my overall experience of having dated any type of girl that walks, I will usually overrun the other person in an argument and win. I have had relationships where I felt like I was a father figure to girls teaching them the way of the world, and I have had others where the girl was a know it all, and thought she was smarter than me (Only to be destroyed), but the scene we acted out below brought me back to emotional places that I haven’t been in a while in arguing with a girl.

Sometimes I miss that intensity, aggression, and passion, followed by amazing sex to feel better about yourselves since the relationship was collapsing, but at the same time I don’t miss the headaches I see with other friends who have to account to their girlfriends where they are all the time, who they’re with, why they didn’t pick up their phone, and my favorite, “Why do you have to go out all the time?” Doesn’t the girl understand that we go out all the time because we are bored, and want to party with new girls, or our friends are important to us and we want to spend time with them? Even typing that last sentence pissed me off, but this class was definitely a lesson in “Don’t be scared to get down and dirty with your fellow actor.” I am also still working on my next announcement and can’t wait to share it with Kade Nation around the world.

“When there’s 2 seconds left in overtime and you’re down by one, don’t be afraid to take the last shot. If you miss it you can say, “”I had the balls to lose”", and if you make it, then you can say, “”Who wants to go home and sleep with the champion”"?”….Arthur Kade…10/09/09

Here is the scene and also videos and pictures from getting my a color and cut (It’s amazing how great this hair color looks on me, and my step-mom who is a legendary hairdresser just loved it yesterday, and I feel like it makes me look 23-25 years old) :